“The Silence before Bach” is an approach to music and the trades and subjects that surround it through Bach’s@擒七打八@ works.
　　A look at the profound dramaturgic relationship between image and music where the latter is not merely conceived as subsidiary to the image but as a subject of t@人体行为艺术@he narration in its own right.
　　The film springs from a previously defined musical structure.  The soundtrack feeds on works by J.S Bach and two of Felix Mendelssohn’s s@迪迦奥特曼第44集@onatas to create an architectural vault beneath which the story of the film unfolds ; a promenade through the XVIIIth, XIXth and XXIth centuries led by the hand of J.S. Bach.